cinema reviews Archive
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WANTED parties like it’s 1999… again.
James Harleman / July 3, 2008
WANTED review by James Harleman starring James McAvoy, Angelina Jolie, and Morgan Freeman Directed by Timur Bekmambetov Rated R It’s been the eternal question on no
cinema reviews

Is the Prince REALLY on the Throne?
James Harleman / June 26, 2008
The Chronicles of Narnia: Prince Caspian Rated PG Reviewed by Aaron Webb The Chronicles of Narnia: Prince Caspian is the second in the motion picture fantasy
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HULK smash… puny preconceptions and manipulated memories
James Harleman / June 20, 2008
by James Harleman, Cinemagogue Editor-in-Chief “The first Hulk movie was a failure!” “The first one bombed at the box office!” “The previous movie didn’t have enough
cinema reviews

After THE FALL…
James Harleman / June 18, 2008
A Review of The Fall by Claudine Elizabeth Miller Directed by Tarsem (Singh) Rated R Bandits! Smart Monkey! Oh My! But, being as how this review
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Marvel’s Second Hulk Transformation is SMASHING…
James Harleman / June 14, 2008
A Review of The Incredible Hulk (audio featured after written review below) Starring Ed Norton, Liv Tyler, and William Hurt Directed by Louis Letterier I can
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World Weary Indiana Jones must choose… WISELY
James Harleman / June 1, 2008
A review of Indiana Jones and the Kingdom of the Crystal Skull “We’re in the season when life stops giving and starts taking away…” Preppy teenagers
audio reviews

You Can’t Stop What’s Coming…
James Harleman / May 20, 2008
The COEN BROTHERS adapted Cormac McCarthy’s novel into this film of the same name, After writing No Country in 2005, the 75 year old McCarthy has
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Iron Man’s midlife crisis makes audiences cheer while fans soil themselves with glee
James Harleman / May 7, 2008
A review of IRON MAN (PG-13) by James Harleman (for an exploratory audio review of the film taught before a live audience, click HERE). I sat
audio reviews

We ALL want Happily Ever After…
James Harleman / April 16, 2008
Fairy Tales: Folly or Faith? An audio exploration of Enchanted Enchanted intrigued me as it hit squarely on one of my favorite narrative dichotomies in Hollywood