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cinema reviews

TRON’s Legacy isn’t deep, but appropriately playful
James Harleman / January 5, 2011
What were YOU expecting from TRON: Legacy? A cursory viewing of this sequel’s 1982 film predecessor, sporting half-baked yet fun ideas stretched across a kaleidoscope of
CineMUSINGS

Coming to a Cinemagogue Near YOU…
James Harleman / January 3, 2011
Last year, I expanded my work with Film and Theology, movies and metanarrative, beyond the boundaries of the interwebs and local events, crossing the country to
audio reviews

The Worldview of an ELF (via Will Ferrell)
James Harleman / December 17, 2010
A special son raised in a Christmas paradise is sent south to a much harsher world where he sees the darkness in the world and overcomes
audio reviews

TRON proves ’82 debut was not the “end of line”…
James Harleman / December 13, 2010
In 1982, TRON was passed over for an Academy Award nomination for Best Visual Effects because the Academy felt the movie “cheated” by using a computer (seven
cinema reviews

DONNIE DARKO: in God’s channel (pt 2)
James Harleman / October 31, 2010
“It was as if the plan had been with him all his life…” – Karen Pomeroy, Donnie Darko Spoilers Ahead: for the first part of the Donnie
cinema reviews

Flashback to DONNIE DARKO
James Harleman / October 29, 2010
“28 days… 6 hours… 42 minutes… 12 seconds. That is when the world will end.” – Donnie Darko Writer/Director Richard Kelly uses various techniques to capture
cinema reviews

INCEPTION, Reformed (for the last time)
James Harleman / October 21, 2010
What do filmmaker Christopher Nolan and Puritan Preacher Jonathan Edwards have in common? I know we’ve been hammering on Inception for what seems like a lifetime
cinema reviews

“True Inspiration” versus INCEPTION – does it exist?
James Harleman / October 8, 2010
“True inspiration is impossible to fake.” In Christopher Nolan’s incredible Inception, the notion is posited that planting an idea may not be possible because the mind
cinema reviews

Why I am afraid of HOUSE…
James Harleman / September 30, 2010
My wife and I knew Hugh Laurie as a gullible Prince Regent from Black Adder and the foppish man-boy from Jeeves and Wooster long before he