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	<title>cinemagogue &#187; drama</title>
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	<link>http://cinemagogue.com</link>
	<description>redefining entertainment</description>
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	<itunes:summary>engaging and exploring the connection between film, narrative, spirituality, creativity and Creator, images and imaging God. Join James Harleman, writer and speaker on narrative and its connective chords between all storytelling and the story of which we&#039;re all a part. Find new depths in what it means to be &quot;entertained&quot; and the reasons why stories (whether they&#039;re simple or complex, Citizen Kane or Harold and Kumar, touch our hearts and minds.</itunes:summary>
	<itunes:author>Pastor James Harleman</itunes:author>
	<itunes:explicit>clean</itunes:explicit>
	<itunes:image href="http://cinemagogue.com/podcast.png" />
	<itunes:owner>
		<itunes:name>Pastor James Harleman</itunes:name>
		<itunes:email>jh@marshill.com</itunes:email>
	</itunes:owner>
	<managingEditor>jh@marshill.com (Pastor James Harleman)</managingEditor>
	<itunes:subtitle>...redefining &quot;entertainment&quot;</itunes:subtitle>
	<itunes:keywords>religion, tv, film, spirituality, Mars Hill Church, movie reviews, Christianity, Christian Movie Reviews</itunes:keywords>
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		<title>cinemagogue &#187; drama</title>
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		<link>http://cinemagogue.com/category/reviews-by-genre/drama/</link>
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	<itunes:category text="Religion &amp; Spirituality">
		<itunes:category text="Christianity" />
	</itunes:category>
		<item>
		<title>No Man is a (SHUTTER) Island</title>
		<link>http://cinemagogue.com/2010/04/30/no-man-is-a-shutter-island/</link>
		<comments>http://cinemagogue.com/2010/04/30/no-man-is-a-shutter-island/#comments</comments>
		<pubDate>Fri, 30 Apr 2010 16:45:45 +0000</pubDate>
		<dc:creator>James</dc:creator>
				<category><![CDATA[cinema reviews]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[thriller]]></category>
		<category><![CDATA[video reviews]]></category>

		<guid isPermaLink="false">http://cinemagogue.com/?p=2465</guid>
		<description><![CDATA[When my friend and Redemption Group Pastor tweeted that this film was &#8220;EPIC,&#8221; his high-praise proclamation was even more intriguing to me than Martin Scorsese&#8216;s trailer. Though I&#8217;m still not a DiCaprio fan, Shutter Island is a stylish, gripping psychological thriller exposing not only how we suppress the truth in our unrighteousness, but also how [...]]]></description>
		<wfw:commentRss>http://cinemagogue.com/2010/04/30/no-man-is-a-shutter-island/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>BROKEBACK MOUNTAIN&#8217;s ponderous ponderosa</title>
		<link>http://cinemagogue.com/2010/04/22/brokeback-mountains-ponderous-ponderosa/</link>
		<comments>http://cinemagogue.com/2010/04/22/brokeback-mountains-ponderous-ponderosa/#comments</comments>
		<pubDate>Thu, 22 Apr 2010 17:49:53 +0000</pubDate>
		<dc:creator>James</dc:creator>
				<category><![CDATA[cinema reviews]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[text reviews]]></category>

		<guid isPermaLink="false">http://cinemagogue.com/?p=3036</guid>
		<description><![CDATA[I saw it, and &#8211; SHOCK! &#8211; I&#8217;m not gay. I know that a strange contingent of the conservative Christian community seems to think that by the mere watching of a film like Brokeback Mountain &#8211; with its &#8220;homosexual agenda&#8221; &#8211; a straight guy might develop a queer eye, but nothing could be further from the [...]]]></description>
		<wfw:commentRss>http://cinemagogue.com/2010/04/22/brokeback-mountains-ponderous-ponderosa/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>On this Dark Knight, the Jokes on Harvey Dent&#8230;</title>
		<link>http://cinemagogue.com/2009/02/06/the-jokes-on-harvey-dent/</link>
		<comments>http://cinemagogue.com/2009/02/06/the-jokes-on-harvey-dent/#comments</comments>
		<pubDate>Sat, 07 Feb 2009 07:24:36 +0000</pubDate>
		<dc:creator>James</dc:creator>
				<category><![CDATA[action]]></category>
		<category><![CDATA[audio reviews]]></category>
		<category><![CDATA[cinema reviews]]></category>
		<category><![CDATA[drama]]></category>

		<guid isPermaLink="false">http://cinemagogue.com/?p=765</guid>
		<description><![CDATA[There are many reasons why The Dark Knight was the best 2008 had to offer… and why I&#8217;m boycotting the Oscars for snubbing it save for a nod to Heath Ledger. There at so many things we could look at in this film, which is probably why it spawned written reviews and now this audio [...]]]></description>
		<wfw:commentRss>http://cinemagogue.com/2009/02/06/the-jokes-on-harvey-dent/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
<enclosure url="http://assets.marshillchurch.org/media/2008/01/23/20080123_the-dark-knight_audio.mp3" length="16455409" type="audio/mpg" />
			<itunes:subtitle>There are many reasons why The Dark Knight was the best 2008 had to offerâ¦ and why I&#039;m boycotting the Oscars for snubbing it save for a nod to Heath Ledger. There at so many things we could look at in this film,</itunes:subtitle>
		<itunes:summary>There are many reasons why The Dark Knight was the best 2008 had to offerâ¦ and why I&#039;m boycotting the Oscars for snubbing it save for a nod to Heath Ledger. There at so many things we could look at in this film, which is probably why it spawned written reviews and now this audio review for Cinemagogue. The incredible Cinematography and IMAX footage gives it unparalleled scope, the reliance on physical special effects versus digital gives the film a powerful gravity, and the subtle score with chords like razor blades creates uncomfortable tension.



In the narrative alone, there are SO many things to look at... because Unlike Batman Begins, which redefined a character, this movie isnât ABOUT Batman; this film redefines a genre and examines a city&#039;s populace. The political, social and religious implications are sifted in the following audio exploration by James Harleman, which followed a viewing of the film at Mars Hill in Seattle. He contends that, in the end, the film&#039;s REAL central character is not Batman or Joker, but the idealistic and ill-fated Harvey Dent. Moreover, does the film truly present us with hope of redemption, or does it illustrate that their is no true hope save delusion? You decide.</itunes:summary>
		<itunes:author>Pastor James Harleman</itunes:author>
		<itunes:explicit>clean</itunes:explicit>
	</item>
		<item>
		<title>Bottle Rocket ain’t no trip to Cleveland</title>
		<link>http://cinemagogue.com/2008/11/29/bottle-rocket-ain%e2%80%99t-no-trip-to-cleveland/</link>
		<comments>http://cinemagogue.com/2008/11/29/bottle-rocket-ain%e2%80%99t-no-trip-to-cleveland/#comments</comments>
		<pubDate>Sat, 29 Nov 2008 17:53:16 +0000</pubDate>
		<dc:creator>James</dc:creator>
				<category><![CDATA[cinema reviews]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[text reviews]]></category>
		<category><![CDATA[cult classic]]></category>

		<guid isPermaLink="false">http://voxpopnetwork.com/cinemagogue/?p=567</guid>
		<description><![CDATA[review of BOTTLE ROCKET by Zach Malm starring Owen Wilson and Luke Wilson directed by Wes Anderson Rated R Bottle Rocket, the first film from Wes Anderson, of Rushmore and The Royal Tenenbaums fame, is my favorite film of all-time. I’ve seen it close to 100 times, but still have a hard time putting my [...]]]></description>
		<wfw:commentRss>http://cinemagogue.com/2008/11/29/bottle-rocket-ain%e2%80%99t-no-trip-to-cleveland/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Knight is Darker, but Viewer will Endure</title>
		<link>http://cinemagogue.com/2008/07/19/the-knight-is-darker-but-viewer-will-endure/</link>
		<comments>http://cinemagogue.com/2008/07/19/the-knight-is-darker-but-viewer-will-endure/#comments</comments>
		<pubDate>Sat, 19 Jul 2008 19:53:50 +0000</pubDate>
		<dc:creator>James</dc:creator>
				<category><![CDATA[action]]></category>
		<category><![CDATA[audio reviews]]></category>
		<category><![CDATA[cinema reviews]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[text reviews]]></category>
		<category><![CDATA[Batman]]></category>
		<category><![CDATA[Christopher Nolan]]></category>
		<category><![CDATA[comic book]]></category>
		<category><![CDATA[superhero]]></category>

		<guid isPermaLink="false">http://voxpopnetwork.com/cinemagogue/2008/07/19/the-knight-is-darker-but-viewer-will-endure/</guid>
		<description><![CDATA[If anyone still thought you could still say "comic book movie" and that the phrase implied a certain sensibility, style, or genre, The Dark Knight has driven the final nail into that cliche-coffin. ]]></description>
		<wfw:commentRss>http://cinemagogue.com/2008/07/19/the-knight-is-darker-but-viewer-will-endure/feed/</wfw:commentRss>
		<slash:comments>12</slash:comments>
<enclosure url="http://www.marshillchurch.org/audio/BatmanBegins_Harleman_121905_16k.mp3" length="6042320" type="audio/mpeg" />
			<itunes:keywords>Batman,Christopher Nolan,comic book,superhero</itunes:keywords>
		<itunes:subtitle>If anyone still thought you could still say &quot;comic book movie&quot; and that the phrase implied a certain sensibility, style, or genre, The Dark Knight has driven the final nail into that cliche-coffin.</itunes:subtitle>
		<itunes:summary>If anyone still thought you could still say &quot;comic book movie&quot; and that the phrase implied a certain sensibility, style, or genre, The Dark Knight has driven the final nail into that cliche-coffin.</itunes:summary>
		<itunes:author>Pastor James Harleman</itunes:author>
		<itunes:explicit>clean</itunes:explicit>
	</item>
		<item>
		<title>Are you Lonely Tonight, Mister?</title>
		<link>http://cinemagogue.com/2008/07/06/are-you-lonely-tonight-mister/</link>
		<comments>http://cinemagogue.com/2008/07/06/are-you-lonely-tonight-mister/#comments</comments>
		<pubDate>Sun, 06 Jul 2008 23:14:19 +0000</pubDate>
		<dc:creator>Webmaster Covi</dc:creator>
				<category><![CDATA[cinema reviews]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[text reviews]]></category>

		<guid isPermaLink="false">http://voxpopnetwork.com/cinemagogue/2008/07/06/are-you-lonely-tonight-mister/</guid>
		<description><![CDATA[MISTER LONELY review by Zach Malm Starring Diego Luna, Samantha Morton, Denis Lavant and Werner Herzog Directed by Harmony Korine It’s been at least a month since I saw Harmony Korine’s latest film, Mister Lonely, and I can’t get it out of my head. It’s an odd, poetic, surprising work, and yet it still manages [...]]]></description>
		<wfw:commentRss>http://cinemagogue.com/2008/07/06/are-you-lonely-tonight-mister/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>You Can&#8217;t Stop What&#8217;s Coming&#8230;</title>
		<link>http://cinemagogue.com/2008/05/20/you-cant-stop-whats-coming/</link>
		<comments>http://cinemagogue.com/2008/05/20/you-cant-stop-whats-coming/#comments</comments>
		<pubDate>Tue, 20 May 2008 14:39:13 +0000</pubDate>
		<dc:creator>Webmaster Covi</dc:creator>
				<category><![CDATA[audio reviews]]></category>
		<category><![CDATA[cinema reviews]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[thriller]]></category>

		<guid isPermaLink="false">http://voxpopnetwork.com/cinemagogue/2008/05/20/you-cant-stop-whats-coming/</guid>
		<description><![CDATA[Audio Review of NO COUNTRY FOR OLD MEN by Pastor James Harleman The COEN BROTHERS adapted Cormac McCarthy’s novel into this film of the same name, After writing No Country in 2005, the 75 year old McCarthy has won a Pulitzer Prize for his novel “The Road” in 2006, once again exploring his familiar themes [...]]]></description>
		<wfw:commentRss>http://cinemagogue.com/2008/05/20/you-cant-stop-whats-coming/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
<enclosure url="http://www.marshillchurch.org/audio/080509_fandt_nocountryforoldmen.mp3" length="29197293" type="audio/mpeg" />
			<itunes:subtitle>Audio Review of  NO COUNTRY FOR OLD MEN by Pastor James Harleman - The COEN BROTHERS adapted Cormac McCarthyâs novel into this film of the same name, After writing No Country in 2005, the 75 year old McCarthy has won a Pulitzer Prize for his novel...</itunes:subtitle>
		<itunes:summary>Audio Review of
 NO COUNTRY FOR OLD MEN
by Pastor James Harleman

The COEN BROTHERS adapted Cormac McCarthyâs novel into this film of the same name, After writing No Country in 2005, the 75 year old McCarthy has won a Pulitzer Prize for his novel âThe Roadâ in 2006, once again exploring his familiar themes of extreme isolation, perversity, and violence to represent normal human experience. The novel&#039;s motifs of chance, free-will, and predestination are familiar territory for the Coen brothers, and the film subsequently won the Academy Award for Best Picture in early 2008. With so many prizes surrounding these themes and creators, it is fascinating to explore why these works have had such an unstoppable impact on our culture.

&quot;It&#039;s been traveling twenty-two years to get here. And now it&#039;s here. And it&#039;s either heads or tails. And you have to say. Call it.&quot; - Anton Chigurh

Violence and mayhem ensue after a hunter stumbles upon some dead bodies, a stash of heroin and more than $2 million in cash near the Rio Grande. No Country For Old Men, the 2008 Oscar winner for Best Picture (and in three other categories) stumbled upon the Wedgwood Campus for our live, monthly Cinemagogue event.

I&#039;ve been a big fan of the Coen brothers since Raising Arizona and have enjoyed their work from Miller&#039;s Crossing to The Hudsucker Proxy. For some reason, I&#039;d missed The Big Lebowski until last year and finally enjoyed Jeff Bridges amazing performance. (Did anyone notice Jeff&#039;s tip of the hat to Lebowski in his latest film, Iron Man?) Still, I wasn&#039;t immediately enraptured with this film as most were last year. A few friends of mine loathed it. After contemplation, repeat viewing, and some study, it&#039;s actually quite illuminating to me why this film has struck a chord in both film buff and casual viewer and I&#039;ve come to a profound appreciation for what the film has to offer.</itunes:summary>
		<itunes:author>Pastor James Harleman</itunes:author>
		<itunes:explicit>clean</itunes:explicit>
	</item>
		<item>
		<title>Is it fate or chance that haunts the Children of Men?</title>
		<link>http://cinemagogue.com/2008/02/05/is-it-fate-or-chance-that-haunts-the-children-of-men/</link>
		<comments>http://cinemagogue.com/2008/02/05/is-it-fate-or-chance-that-haunts-the-children-of-men/#comments</comments>
		<pubDate>Tue, 05 Feb 2008 16:47:43 +0000</pubDate>
		<dc:creator>James</dc:creator>
				<category><![CDATA[audio reviews]]></category>
		<category><![CDATA[cinema reviews]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[sci-fi]]></category>
		<category><![CDATA[thriller]]></category>

		<guid isPermaLink="false">http://voxpopnetwork.com/cinemagogue/2008/02/05/is-it-fate-or-chance-that-haunts-the-children-of-men/</guid>
		<description><![CDATA[Alfonso Cuarón&#8217;s film adaptation of the P.D. James&#8217; book Children of Men is an incredible work of art marked by some of the most amazing cinematography I have seen. Opening on Christmas day in 2006, critics compared the characters of Theo and Kee with Joseph and Mary, calling the film a &#8220;modern day nativity story&#8221;. [...]]]></description>
		<wfw:commentRss>http://cinemagogue.com/2008/02/05/is-it-fate-or-chance-that-haunts-the-children-of-men/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
<enclosure url="http://www.marshillchurch.org/audio/080111_FandT_ChildrenOfMen.mp3" length="18246387" type="audio/mpeg" />
			<itunes:subtitle>Alfonso CuarÃ³n&#039;s film adaptation of the P.D. James&#039; book Children of Men is an incredible work of art marked by some of the most amazing cinematography I have seen. Opening on Christmas day in 2006, critics compared the characters of Theo and Kee with...</itunes:subtitle>
		<itunes:summary>Alfonso CuarÃ³n&#039;s film adaptation of the P.D. James&#039; book Children of Men is an incredible work of art marked by some of the most amazing cinematography I have seen. Opening on Christmas day in 2006, critics compared the characters of Theo and Kee with Joseph and Mary, calling the film a &quot;modern day nativity story&quot;.

Children of Men envisages a world one generation from now that has fallen into chaos on the heels of an infertility defect in the population. The world&#039;s youngest citizen has just died at 18, and humankind is facing the likelihood of its own extinction. Set against a backdrop of London torn apart by violence and warring nationalistic sects, the film follows an unlikely champion of Earth&#039;s survival: Theo, a disillusioned ex-activist turned bureaucrat, who is forced to face his own demons and protect the planet&#039;s last remaining hope.

According to CuarÃ³n, the title of P.D. James&#039; book is a Catholic allegory derived from a passage of scripture in the Bible. Psalm 90:3 reads (in the KJV): &quot;Thou turnest man to destruction; and sayest, Return, ye children of men.&quot; Author James refers to her story as a &quot;Christian fable&quot; while CuarÃ³n describes it as &quot;almost like a look at Christianity&quot;: &quot;I didn&#039;t want to shy away from the spiritual archetypes,&quot; CuarÃ³n told Filmmaker Magazine.

What they&#039;ve produced is a dark, dystopian fable grasping for hope and miracles amidst a bleak future landscape. It was one of my favorite films of 2006 and a privilege to examine and speak about in a Cinemagogue presentation at Mars Hill Church. The audio presentation is available here.</itunes:summary>
		<itunes:author>Pastor James Harleman</itunes:author>
		<itunes:explicit>clean</itunes:explicit>
	</item>
		<item>
		<title>Illusion of Good Intentions</title>
		<link>http://cinemagogue.com/2007/06/07/illusion-of-good-intentions/</link>
		<comments>http://cinemagogue.com/2007/06/07/illusion-of-good-intentions/#comments</comments>
		<pubDate>Thu, 07 Jun 2007 19:05:37 +0000</pubDate>
		<dc:creator>James</dc:creator>
				<category><![CDATA[audio reviews]]></category>
		<category><![CDATA[cinema reviews]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[thriller]]></category>

		<guid isPermaLink="false">http://voxpopnetwork.com/cinemagogue/2007/06/07/illusion-of-good-intentions/</guid>
		<description><![CDATA[I keep expecting director Christopher Nolan to swing and miss. He gave us a stirring Memento, wrestled with Insomnia, ensured that Batman Begins, and capped things off with The Prestige, my pick for greatest film of 2006. (In 2008, he&#8217;ll give us the next Bat-installment with The Dark Knight.) This 37 year old Brit not only seems to [...]]]></description>
		<wfw:commentRss>http://cinemagogue.com/2007/06/07/illusion-of-good-intentions/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
<enclosure url="http://www.marshillchurch.org/audio/070420_FandT_The_Prestige.mp3" length="14197792" type="audio/mpeg" />
			<itunes:subtitle>I keep expecting director Christopher Nolan to swing and miss. He gave us a stirring Memento, wrestled with Insomnia, ensured that Batman Begins, and capped things off with The Prestige, my pick for greatest film of 2006.Â (In 2008,</itunes:subtitle>
		<itunes:summary>I keep expecting director Christopher Nolan to swing and miss. He gave us a stirring Memento, wrestled with Insomnia, ensured that Batman Begins, and capped things off with The Prestige, my pick for greatest film of 2006.Â (In 2008, he&#039;ll give us the next Bat-installment with The Dark Knight.) ThisÂ 37 year oldÂ Brit not only seems to direct films about Americans better than Americans can, his directorial choices frequently delve intoÂ deep issues of subjective perception and human nature. Whether it&#039;s a period piece set at the end of the 19th century, present-day human drama,Â or a comic book hero, Nolan&#039;s exploration of human nature and obsession remain constant.

In The Prestige, these themes ripple throughout a challenging narrative exploring morality, perspective, vengeance, justice, deception... and perhaps most importantly SELF deception. As one character instructs us:

&quot;You don&#039;t really want to know the secret... You want to be fooled.&quot;



Playing against traditional forms of protagonist and antagonist, Nolan adapts Christopher Priest&#039;s novel usingÂ actors Christian Bale and Hugh Jackman to the portray bitter, rival magicians vying for supremacy in glory and fame, locked in a cycle of hatred and revenge. Echoing the biblical King Solomon, there is even an Ecclesiastical lament: &quot;You never understood, why we did this. The audience knows the truth: the world is simple. It&#039;s miserable, solid all the way through.&quot; Both men struggle for what they think is right, and what they are entitled to; it&#039;s a tragedy echoing two poignant Proverbs:

Every way of a man is right in his own eyes, but the LORD weighs the heart. (Proverbs 21:2)

There is a way that seems right to a man, but its end is the way to death. (Proverbs 16:25)



Highly recommended,Â The Prestige is a brilliant example of the human condition. Because of the nature of this mystery thriller, it&#039;s also one of those films that is astounding to view a second time once the secrets have been illuminated. The screenplay is meticulously crafted and the acting is high caliber, including a hard-to-recognize David Bowie portraying Nikola Tesla - another brilliant move not only placing the film in an interesting period of American history, but connected to a fascinating historical character as well.

For those who&#039;ve seen the film, there is an audio discussion of these themes in greater detail (plot spoilers abound).</itunes:summary>
		<itunes:author>Pastor James Harleman</itunes:author>
		<itunes:explicit>clean</itunes:explicit>
	</item>
		<item>
		<title>A Sleeper Hit</title>
		<link>http://cinemagogue.com/2002/07/28/a-sleeper-hit/</link>
		<comments>http://cinemagogue.com/2002/07/28/a-sleeper-hit/#comments</comments>
		<pubDate>Sun, 28 Jul 2002 23:24:03 +0000</pubDate>
		<dc:creator>James</dc:creator>
				<category><![CDATA[cinema reviews]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[text reviews]]></category>
		<category><![CDATA[thriller]]></category>

		<guid isPermaLink="false">http://voxpopnetwork.com/cinemagogue/2002/07/28/a-sleeper-hit/</guid>
		<description><![CDATA[A review of &#8220;INSOMNIA&#8221; by James Harleman - Starring Al Pacino and Robin Williams - Directed by Christopher Nolan - 1 hour 58 minutes, rated R The previews make it appear fairly simple; Al Pacino plays grizzled veteran L.A. cop, Frank Dormer, sent with his partner up to the frigid north of Alaska to assist local [...]]]></description>
		<wfw:commentRss>http://cinemagogue.com/2002/07/28/a-sleeper-hit/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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